Taille des polices de caractères dans la conception graphique : Le guide complet à suivre

Comment choisir la bonne typographie ?

Typography is one of the most important and gratifying components of graphic design. Regardless of how experienced a designer you’ve become, it’s always helpful to recharge your mind about the principles of typography. Try to learn specific things like the origin of a particular font or the structure of a typeface since stuff like this can enrich the meaning of your design. It’s quite impressive, especially to your potential clients, when you actually know your craft.

Also, as a designer, it’s your responsibility to know the ins and outs of typography. And once you know the rules, it’s easier for you to break them! As with any skill or trade, you need to learn specific rules and guidelines before you can fully develop and expand your skill set. Here are 20 of what experts consider to be the most crucial principles of the art of typography.

Learn the basics

The first step to more effective typography is to study the nitty-gritty of the art. If you’re new to its principles, you may think typography is just a straightforward practice. The truth is, it’s pretty complex because it’s a combination of art and science. The composition of a typeface consists of specific vocabulary, accurate measurements, and central specifications that should always be identified and taken into consideration.

Take note of font communication

Typeface selection is hardly a random process. Merely searching through your font catalog to choose a font you personally like rarely create an efficient end result. This is because there’s a psychology linked to certain typefaces. When designing, you need to make sure your type is connecting to your audience. This is more than just making certain that your copy is impeccably written. It’s also about ensuring that the font you use fits your market. You wouldn’t use elaborate and rainbow-colored fonts for a law firm brochure, right? That would be better suited for a birthday invitation.

Limit your fonts

One of the common slipups designers – especially newbies – do is using too many fonts and styles. If you need more than one, make sure to limit your fonts to just two to three typefaces. Use one font and size for the body, another for the header, and another for the subhead. Don’t hesitate to choose fonts from different typeface families, as long as there is cohesiveness in the pairing. Working with two very similar fonts can translate as a mistake on your part. Some would think you’re not careful enough and accidently used the wrong font.

It can’t be emphasized enough how critical it is to understand and use a design grid. Working with a grid ensures that every little thing on the page is put in relation to something else to produce logical and visual harmony.

Pick an excellent secondary font for pairing

Font pairing is important to the readability of your design. When you have both a heading and a subhead, use two different typefaces that complement each other to establish visual hierarchy. The challenge with font pairing is to avoid using two contradictory fonts or two very similar fonts where you can barely see a distinction. The second font must be as captivating as the primary typeface without losing the overall uniformity or consistency of the design.

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